The wall frame, Arizona2015
Artist statement: I have always been captivated by the American landscape. I grew up on a diet of American culture from the seventies onwards. But instead of the white picket fence American dream, I’ve always been drawn to its more sombre side. Over the past few decades, the country has witnessed industrial redundancy, economic crisis, natural disasters, terrorism and paranoia. The result of which can be interpreted in a static and multifarious landscape. Towns become a worn-out reminder of when America was building itself a brighter future. These places appear frozen in time, their inhabitants sparse or long since departed. Both the series Lost America and Little America examine a quiet stillness in a landscape long since forgotten; in a sense ‘on-pause’. The backwater sticks and quiet city corners, now mirroring the vast and lonely wilderness. Feelings of melancholy and emptiness echo details of mundanity in beautiful, unremarkable landscapes.
Also known as Giclee prints or bubble-jet prints, pigment ink-jet prints are generated by computer printers from digital or scanned files using dye-based or pigment-based inks. A series of nozzles spray tiny droplets of ink onto the paper surface in a precise pattern that corresponds to the digital image file. In dye-based prints the ink soaks into the paper, whereas in pigment-based prints the ink rests and dries on top of the paper surface.
Whilst the term is broad, pigment ink-jet prints have come to be associated with prints produced on fine art papers. They are the most versatile and archival method of printing available to photographers today. A wide variety of material on which an image can be printed with such inks are available, including various textures and finishes such as matte photo paper, watercolour paper, cotton canvas or pre-coated canvas.