Humanity behind colour: a door tent carried by a refugee in Arbat Camp2017
Artist statement: The notion of place and displacement explores issues of displacement due to socio-political persecution. It aims to reveal the difficulties and suffering of individuals who have faced displacement, manifesting a universal understanding for change, fragility and redemption.
I aim to address the catastrophe and the difficult reality of those individuals forced into displacement. However, the work not only highlights the desperation and fragility of displaced individuals, it also highlights their courage and compassion.
I worked inside several refugee camps in Kurdistan/Iraq from October 2016 to mid-January 2017. I encountered refugees from diverse backgrounds (e.g. Yazidi, Christian, Shabak, Muslim, Kurds, Arabs and Syrians). My objective is to draw attention to the commonality of displacement and the daily living conditions inside the camps.
This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body. This project is supported by the Victorian Government through Creative Victoria.
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Also known as Giclee prints or bubble-jet prints, pigment ink-jet prints are generated by computer printers from digital or scanned files using dye-based or pigment-based inks. A series of nozzles spray tiny droplets of ink onto the paper surface in a precise pattern that corresponds to the digital image file. In dye-based prints the ink soaks into the paper, whereas in pigment-based prints the ink rests and dries on top of the paper surface.
Whilst the term is broad, pigment ink-jet prints have come to be associated with prints produced on fine art papers. They are the most versatile and archival method of printing available to photographers today. A wide variety of material on which an image can be printed with such inks are available, including various textures and finishes such as matte photo paper, watercolour paper, cotton canvas or pre-coated canvas.