Artist statement: A reproduction enacts a desire to keep what can’t be kept and so it is a symptom of an impossible love affair. This work considers the flux of this desire when it is enacted by technology and is based on poses favoured by Egon Schiele. The work is a 3D photogrammetric model made by compositing 100s of photographs together taken over a long period of time to make a figure that can be rotated into new configurations. This work is not about reproduction in the sense of making what is expected, it is about engaging with a technological sight, making to engage the difference, to see what comes back. Importance comes not in the repeat but in the change.
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Also known as Giclee prints or bubble-jet prints, pigment ink-jet prints are generated by computer printers from digital or scanned files using dye-based or pigment-based inks. A series of nozzles spray tiny droplets of ink onto the paper surface in a precise pattern that corresponds to the digital image file. In dye-based prints the ink soaks into the paper, whereas in pigment-based prints the ink rests and dries on top of the paper surface.
Whilst the term is broad, pigment ink-jet prints have come to be associated with prints produced on fine art papers. They are the most versatile and archival method of printing available to photographers today. A wide variety of material on which an image can be printed with such inks are available, including various textures and finishes such as matte photo paper, watercolour paper, cotton canvas or pre-coated canvas.
