My photography attempts to interrogate its own form and function. This interrogation takes place within the various architectures of photography, but also in response to the medium’s particular social and political economies. Photography is, after all, an embodiment of modernity. To contest or disrupt photography’s representational conventions is therefore to contest and disrupt modernity itself.

My creative work encompasses the entire photographic object, from the inscription of a negative to its colour print, and all the various operations and performances required to generate one from the other. When an audience stands in front of ‘Diffusion (115Y30M40C)’ they therefore have an encounter with photography in this widest sense; they bear witness to the medium’s own processes of becoming.